Sometimes when I’m doing vertical slices down an onion short of the root, I start at the right side, get halfway, then rotate the onion around 180° and keep going on the new right with the heel
Never thought of that. Sounds much more comfortable for your holding hand though!Sometimes when I’m doing vertical slices down an onion short of the root, I start at the right side, get halfway, then rotate the onion around 180° and keep going on the new right with the heel
What about the spine side? I hate nakiri with a sharp end on the spine, it scratches my board when used to push good. It's especially worse when the spine is not exactly parallel with the handle
Yeah that, and the end corner just scratches the crash outta the boardYou mean the end corner when pushing stuff with the face or along the spine's length?
Yeah that, and the end corner just scratches the crash outta the board
Do you have dimensions of the 165 Wat and 180 Toyama? For Wat/Toyama, I see the 180 size recommended the most, followed by 210. Not a lot of commentary about the 165 Wat/Toyama, so am wondering if it defeats the point of a Sanjo nakiri, which I understand to be that it is a larger/heavier workhorse. Thanks in advance for sharing your impressions!My 165 Watanabe gets much more use than my 180 toyama. Both are good and I may never buy another nakiri. I’m set. 180g vs 210g. I pick nimble vs heft based on task.
I'm pretty new here, but I've now seen Okubo nakiris mentioned a few places and I'd be curious to know more about what makes them special. Is it mostly the size? Or the the grind or something else? I noted on Knife Japan that they ask you to specify dominant hand. Are they single bevel?
I need all the details.
He makes both but they're double bevel. Okubo-san's aogami #2 is superb. Really nice edge retention for a simple carbon and more pleasant to sharpen than Watoyama's which is a bit more glassy feeling on the stones. Keeps its tooth longer than other aogami 2 I've tried.I'm pretty new here, but I've now seen Okubo nakiris mentioned a few places and I'd be curious to know more about what makes them special. Is it mostly the size? Or the the grind or something else? I noted on Knife Japan that they ask you to specify dominant hand. Are they single bevel?
I need all the details.
He makes both but they're double bevel. Okubo-san's aogami #2 is superb. Really nice edge retention for a simple carbon and more pleasant to sharpen than Watoyama's which is a bit more glassy feeling on the stones. Keeps it's tooth longer than other aogami 2 I've tried.
His knives are hefty, with a voodoo convex grind that feels really confident on board and has great food release. My nakiri is 180x63, 234 g. About a perfect package for me. Plus one of the best KU finishes out there
If you step up to the "takenoko-nakiri" which I call a cleaver, you get more of the same but in a monster format that has any root vegetables shaking in their boots.
Thanks. This is really helpful. There's almost certainly a tall nakiri or cleaver coming at some point.
I've thought about Takeda and Mortaka AS quite a bit for cleavers and also Shindo, Shiro Kamo, Tanaka for 60mm+ tall nakiris...not to mention the possibility of Western makers for either... the list never ends!
But the talk of Okubo in this thread and elsewhere really grabbed my attention. My main trouble with grinds with a hand bias is just that I'm left-handed and my wife is right-handed and we basically share all our knives.
One of my most used knives at home, never wished it was bigger
I like ko nakiris but there is obviously limitation with 125mm…I like 155mm a bit more myself. When it gets below 135mm, I prefer mini gyuto like petty better than mini nakiri
Yeah, my sister has one and really likes it. I might have to borrow it and see how it goes.If you want to dip your toe into cleavers, get a CCK.
Yea, something like that. My 135mm Carter petty is one of my favorite knives to use.Funayuki.![]()
You’re not the only one. Don Andrade just did a tribute to this knife.My 135mm Carter petty is one of my favorite knives to use.