That’s something that’s very important to keep in mind, because different angles and different lighting can have a huge impact on how the finish is viewed, even when it’s the exact same knife.
Nagura and suita are two different types of stone.
This is another issue you’ll run into as the terminology is not consistently used correctly.
when properly describing stones we start with the mine it’s from, then we describe what layer it’s from, then we can describe its physical characteristics (color and patterns) followed by how soft it is etc
For polishing purposes I would just recommend the softest of those stones that you have. When getting close to finishing.
The only way you can use all stones is if your geometry is correct, so if you still have high spots and low spots the stones are going to only be use in the areas where knife is making actual contact with the stone
If you want a plan of attack what I would recommend is for you to remove the knife from the handle and then use a black marker to blacken the whole knife and explore the knife on your shapton 5K stone. You have to flatten the stone and get rid of any edges by rounding everything out and only put the knife on the stone once the stone is 100% clean no slurry
This would reveal the high spots and the low spots, it will help you understand how much or how littlemetal you would have to remove to create an all stone finish
If it’s too much metal that needs to be removed then you would be forced to use sandpaper up to ~2k, then 1200 white aluminum powder with hard felt, then finger stones, then uchi powder with hard felt again
Both options are a long process, however the first option is the best option if possible