icanhaschzbrgr
ill-Known Member


Not a long ago I finished a pair of western handles from the same block of dyed Maple.
You might try to torch front part and make a gradual transition to original not torched wood on the back. Would get a good grip where it matters and still show some original wood figure on the back.Part of a restoration project for a friend's knife. Decided to experiment a bit more with the burnt oak handles that have become one of my go-to options. This time with a different level of burn. There's more of the brownish colors remaining which looks kinda cool, but the tradeoff is that it doesn't have as pronounced texture as when I torch it more. Not sure I prefer the feel of this medium-well burn compared to the well-done version.
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Might be worth a try for a future iterationYou might try to torch front part and make a gradual transition to original not torched wood on the back. Would get a good grip where it matters and still show some original wood figure on the back.
Grabbed some bits of slightly imperfect handle material from work recently, that were otherwise going in the bin:
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The seven kinda chocolate-coloured pieces on the left there are what's called 'Brown Oak', which apparently is quite highly regarded and consequently expensive. It's not a separate species though, it's regular English oak that's been infected by Beefsteak Fungus.
This is also some uncut Brown Oak I grabbed cos it looked like it had some burly/knotty character to it:
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Which came up pretty cool:
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Went onto an old 270mm Yanagiba I picked up from @refcast recently:
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And here with a Takohiki I got from him at the same time, and rehandled already using some olive wood:
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I'll have the Takohiki with the Yanagiba handle. Man that's some pretty wood on some sexy steel. Great work OliGrabbed some bits of slightly imperfect handle material from work recently, that were otherwise going in the bin:
View attachment 279027
The seven kinda chocolate-coloured pieces on the left there are what's called 'Brown Oak', which apparently is quite highly regarded and consequently expensive. It's not a separate species though, it's regular English oak that's been infected by Beefsteak Fungus.
This is also some uncut Brown Oak I grabbed cos it looked like it had some burly/knotty character to it:
View attachment 279029
Which came up pretty cool:
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Went onto an old 270mm Yanagiba I picked up from @refcast recently:
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And here with a Takohiki I got from him at the same time, and rehandled already using some olive wood:
View attachment 279028
View attachment 279024
Very pleasing tones on those piecesGrabbed some bits of slightly imperfect handle material from work recently, that were otherwise going in the bin:
View attachment 279027
The seven kinda chocolate-coloured pieces on the left there are what's called 'Brown Oak', which apparently is quite highly regarded and consequently expensive. It's not a separate species though, it's regular English oak that's been infected by Beefsteak Fungus.
This is also some uncut Brown Oak I grabbed cos it looked like it had some burly/knotty character to it:
View attachment 279029
Which came up pretty cool:
View attachment 279026
Went onto an old 270mm Yanagiba I picked up from @refcast recently:
View attachment 279025
And here with a Takohiki I got from him at the same time, and rehandled already using some olive wood:
View attachment 279028
View attachment 279024
love the Deer antler + downed oak limb look! they really complement each otherThis year has been very very slow for me as far as knife and knife related projects have gone, but it's nice to get some things finished up and out. There are two "seconds" where I was experimenting with some of the ways that I construct handles and they're off to another KKF member who has some blades waiting for something to hold to get installed. I still need a lot of refinement on how I get the tang slots cut in (I'm still treating these multi-piece constructions as if they're monos) but I'm very happy with the process for both of these and I enjoyed making them.
Spalted softwood (very likely pine) with a black walnut spacer; I was adjusting how I try to turn asymmetry into symmetry on this one:
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(Some of the handle blanks going out with these are in the background)
Deer antler and downed oak limb with a live edge section from where a branch formed and repaired; I was practicing the balance of incorporating an organic form into the structure of a handle:
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To round it out, I tossed in a votive full of mineral oil/beeswax boardbutter that I used to finish both of these in case they start looking a little thirsty.
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I'm still having issues not seeing these for their imperfections, but they're both very comfortable in hand and I'm happy with almost everything about them.
I'm very fond of it as well, probably too much since I keep telling myself to stop making handles with that combo in my head. I do have at least one more to make already in the queue...love the Deer antler + downed oak limb look! they really complement each other
I think all of these look really nice, and well suited to the blades. I at least know about Huon Pine because one of @Kippington's handles had a completely insane piece of it used on a petty handle for @McMan that has some translucency:Here’s a few of my latest. Very traditional and boring compared to @deltaplex’s awesome pieces above, but sharing nonetheless!
Horn and Huon pine (not actually a true pine, and despite perhaps not looking particularly interesting at first glance an amazing timber and great to work with: What is so special about Huon Pine?)
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Birdseye maple with a horn spacer. Shape sort of evolved on the fly… I find Wa handles on parers hard to hit a sweet spot that feels right.
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Tasmanian Blackwood and horn D handle (not attached to anything yet). Definitely the last time I faff around with hand shaping a traditional mortise and tenon… hidden dowel all the way!
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Here’s a few of my latest. Very traditional and boring compared to @deltaplex’s awesome pieces above, but sharing nonetheless!
Horn and Huon pine (not actually a true pine, and despite perhaps not looking particularly interesting at first glance an amazing timber and great to work with: What is so special about Huon Pine?)
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Birdseye maple with a horn spacer. Shape sort of evolved on the fly… I find Wa handles on parers hard to hit a sweet spot that feels right.
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Tasmanian Blackwood and horn D handle (not attached to anything yet). Definitely the last time I faff around with hand shaping a traditional mortise and tenon… hidden dowel all the way!
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Ty!Very nice
Single piece Saya!?Rehandle and saya for a Tanaka Yoshikazu
Saya in Hawaiian Silky oak, which was really nice to work and has a lot of 3d figure, handle was desert ironwood which I always struggle to get good pics of as in person it has a deep shine to it.
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I love first one. Less is more !Here’s a few of my latest. Very traditional and boring compared to @deltaplex’s awesome pieces above, but sharing nonetheless!
Horn and Huon pine (not actually a true pine, and despite perhaps not looking particularly interesting at first glance an amazing timber and great to work with: What is so special about Huon Pine?)
View attachment 281429
View attachment 281430
View attachment 281431
Birdseye maple with a horn spacer. Shape sort of evolved on the fly… I find Wa handles on parers hard to hit a sweet spot that feels right.
View attachment 281436
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View attachment 281438
Tasmanian Blackwood and horn D handle (not attached to anything yet). Definitely the last time I faff around with hand shaping a traditional mortise and tenon… hidden dowel all the way!
View attachment 281439
Thanks!I love first one. Less is more !