Crothcipt
Senior Member
- Joined
- Jan 16, 2012
- Messages
- 3,577
- Reaction score
- 5
My first "good" knife was also a Wusthof (Ikon--the one without the full bolster). It wasn't a bad knife, but once I bought a Hiromoto AS I quickly realized that the Wusthof, though it had better fit and finish, was inferior in sharpness and geometry.
The difference was amazing, but over the years, many knives later and much money spent my tastes started to become more refined and once I handled a pristine 1890s hand forged French Sabatier (rat tang) I began to see the problem with a lot of Japanese western style knives--all of a sudden my Hiro felt clunky...
Aspects many Japanese gyuto makers neglect for me are distal taper*, balance**, and toughness***.
*the only Japanese maker I have come across that has mastered this aspect is Shigefusa. This also relates to balance...
**though scoffed at on forums and overemphasized my commerical practices, I've found balance in hand being an important aspect of any knife. This became extremeley apparent when I handled two knives and the heavier [custom] blade felt lighter and handled nicer than the blade heavy lighter knife. When I weighed them on a scale I was in disbelief.
***This is where choice of steel and optimal heat treat come in.
Some times I think that balance can be achieved forward on the blade, or even in the handle. It pretty much depends on the grip that is used. Most of the time when I find that I am not liking using a pinch grip I switch to a hammer grip, or even moving down on the end of the handle.