JohnnyChance
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- Feb 28, 2011
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On Heiji where bevels converge about 25mm behind the tip, thickness is about 2mm. That's pretty thick, so you got to apply some pressure to push the tip through the food in lateral cuts unless you are cutting soft stuff primarily like onions or cuts are very shallow.
The very tip is super thin, but it gets progressively thicker after 5-6mm or so.
I am not saying it is impossible. I am just trying to understand why some users find sword geometry perform poorly on lateral cuts, and some find quite the opposite.
Please elaborate.
M
Convex doesn't have the ridge the way sword grind has, so even it's not shallow (like Kato for instance) it still encounters less resistance in lateral cuts.
This is what I observed trying both, Heiji and Kato, but I don't cut enough to have a good feel for it, so your input is very helpful.
Sword grind is one of the 3 grinds for a heavy workhorse that I would like to try to understand better. Geometry-wise I am there, but I still need to figure out (with your help) if some things of the original geometry can be improved, like the tip.
M
I'm not sure why it works so well, but I think two things are factors. One, they are pretty symmetrical so they tend to cut straight on horizontal cuts and not steer that much. Two, the ridge/shinogi helps break the friction of the product (usually onion). The convex grind has nothing to break the stiction so it has a lot of surface area in contact with the product. One reason why people experience different results may have to do with the amount of pressure they are applying down on top of the product. Lots of things make horizontal cuts more difficult than regular cutting motion: steering is harder to control, the cut piece is not allowed to fall away from the blade, pressure applied from the product side and cut side, and it's just a cut that gets made less often, therefore less practice. If you use a lot of pressure when holding down the product, you are applying more pressure on the blade and creating more friction/stiction on the cut.