Sakai has really been at the forefront for new ways to make exciting prototypes in the world of handmade knives. From the starting philosophy’s from the likes of Konosuke, Hitohira, Shiraki Hamono, and Ashi Hamono- in the 2010s we really started to see the fruits of their work develop some the best knives the word has ever seen.
I think one thing that helps aid the rapid development and growth of these new trends is the fact that the end product- the knife, has two people putting a very big influence on it.
The Blacksmith and The Sharpener
Because there are so many combinations of forger and finisher, you can find so much variation. It becomes very addictive as a collector. Not only do you set out to buy, for example, a Yoshikazu Tanaka knife, but once you’ve acquired one you realize- oh! I love this Konosuke Fujiyama, but what is the FT and the FM!?!? Hitohira has Tanaka Kyuzo knives and Tanaka Yohei Knives!? Etc etc…
One of the biggest stars entering the 2020s is Mitsuaki Takada. Takada has developed so much notoriety from his work with Hitohira, and briefly (along with this decade’s other big breakout sharpener, Naohito Myojin) took over Morihiro’s sharpening duties for the Konosuke Fujiyama*** that he was able to start his company - Takada no Hamono.
***supposedly. It’s not official, but I would be shocked if the Konosuke FT was not the precursor to the Takada no Hamono Suiboku. I’ve never encountered such a unique knife have a carbon copy like that and not be the same guy responsible.***
Takada no Hamono has really taken off in the last year with the Suiboku series becoming arguably the most sought after knife out of Sakai (the Fujiyama still probably holds the title). Ever since using my first Suiboku i be been fascinated by his work. I’m not usually a fan of laser grinds (I prefer an upper midweight grind) but his work has such amazing balance and release. I enjoy his work so much I’ve started a collection within my own knife collection.
Takada’s counterpart Miyojin apprenticeship has been well documented under Fujiyama’s Morihiro, however all I know about Takada is that he worked with Ashi Hamono for over a decade.
Does anyone have any examples of his work with Ashi? Or know anything more about Ashi Hamono to add to this?
I think one thing that helps aid the rapid development and growth of these new trends is the fact that the end product- the knife, has two people putting a very big influence on it.
The Blacksmith and The Sharpener
Because there are so many combinations of forger and finisher, you can find so much variation. It becomes very addictive as a collector. Not only do you set out to buy, for example, a Yoshikazu Tanaka knife, but once you’ve acquired one you realize- oh! I love this Konosuke Fujiyama, but what is the FT and the FM!?!? Hitohira has Tanaka Kyuzo knives and Tanaka Yohei Knives!? Etc etc…
One of the biggest stars entering the 2020s is Mitsuaki Takada. Takada has developed so much notoriety from his work with Hitohira, and briefly (along with this decade’s other big breakout sharpener, Naohito Myojin) took over Morihiro’s sharpening duties for the Konosuke Fujiyama*** that he was able to start his company - Takada no Hamono.
***supposedly. It’s not official, but I would be shocked if the Konosuke FT was not the precursor to the Takada no Hamono Suiboku. I’ve never encountered such a unique knife have a carbon copy like that and not be the same guy responsible.***
Takada no Hamono has really taken off in the last year with the Suiboku series becoming arguably the most sought after knife out of Sakai (the Fujiyama still probably holds the title). Ever since using my first Suiboku i be been fascinated by his work. I’m not usually a fan of laser grinds (I prefer an upper midweight grind) but his work has such amazing balance and release. I enjoy his work so much I’ve started a collection within my own knife collection.
Takada’s counterpart Miyojin apprenticeship has been well documented under Fujiyama’s Morihiro, however all I know about Takada is that he worked with Ashi Hamono for over a decade.
Does anyone have any examples of his work with Ashi? Or know anything more about Ashi Hamono to add to this?