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a vintage stainless lion sabatier 10" with what is assumed to be a custom macassar ebony handle, brass pins and a mosaic pin. grabbed it from bernal cutlery over the july 4th weekend in my weird side quest to continue amassing sabatiers and sabatier profile knives.

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side by side with a current authentique carbone 10":
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very substantial spine compared to the modern knife:
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and with my other "KS" knife, the shibata kashima:
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i guess i'll just need to get a Masamoto KS at some point....
 
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It will always confound me when I see Carter’s knives sitting idle on BST. I get it that his knives may not check all of everybody’s boxes. There are lots of great makers and you can’t have knives from all of them (I’m trying). I’m happy that this Carter International Pro sat long enough on BST for me to come to my senses and add it to my knife family. … and yes, I still have my original Carter Perfect Kitchen knife.


I feel you, I think I’m still very lucky to grab one of the Carter apprentice slicer(Andrew Adam) from Harbeer when it was sitting in BST for few months.
It’s my best laser performer, am still amazed by how it fits my cutting style so perfectly everytime I used it.
 
Milan Gravier
135Cr3
243mm long
59mm tall
Acacia burl handle

I waited what felt like a year for this custom project. A lot of planning went into deciding every detail/spec. My inspiration was the country side of France, I wondered what type of knife would be used there.

The execution by Milan was flawless, this is 100% everything I could imagine it to be. The handle shape and balance are rather unique to me. As I hold it in my hand it has such a different feel from anything I have ever held before.
 

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Yeah not to be overly pessimistic but the main knife being used in most European countrysides today will most likely be some crap-tier 10 euro hunk of cheap stainless junk. :D
 
Very excited to show off the latest custom in my collection, my 310mm kasumi Yanickiba. Yanick was a pleasure to work with and the knife turned out incredible. I originally wanted a burl handle, but he said he wanted to make something truely unique and personal to me inspired by my end grain cutting boards.

While it’s not my usual style, the fact that he took the time to make something special for me is incredibly flattering and this is now the most beautiful and meaningful knife in my collection.

I now owe him a cutting board so the pressure is on me to create something equally amazing for him. Wish me luck!

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Very excited to show off the latest custom in my collection, my 310mm kasumi Yanickiba. Yanick was a pleasure to work with and the knife turned out incredible. I originally wanted a burl handle, but he said he wanted to make something truely unique and personal to me inspired by my end grain cutting boards.

While it’s not my usual style, the fact that he took the time to make something special for me is incredibly flattering and this is now the most beautiful and meaningful knife in my collection.

I now owe him a cutting board so the pressure is on me to create something equally amazing for him. Wish me luck!

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Not many western makers make single bevels and this is top tier. Really shows how talented Yanick is.
 
Very excited to show off the latest custom in my collection, my 310mm kasumi Yanickiba. Yanick was a pleasure to work with and the knife turned out incredible. I originally wanted a burl handle, but he said he wanted to make something truely unique and personal to me inspired by my end grain cutting boards.

While it’s not my usual style, the fact that he took the time to make something special for me is incredibly flattering and this is now the most beautiful and meaningful knife in my collection.

I now owe him a cutting board so the pressure is on me to create something equally amazing for him. Wish me luck!

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Very cool, I love that kinda stuff.
 
Not many western makers make single bevels and this is top tier. Really shows how talented Yanick is.
I have heard it said that yanick makes the best single bevels in the western world. Whether or not that is true is surely debatable, but I figured it’d at least make for a fantastic first yanagiba.
 
I’ve been always curious how do they compare against Fujiyamas!
They are pretty similar overall, and the Fujiyamas vary amongst themselves. I would say the JNS line is more substantial than a recent vintage (2019?) Fuji in W1 and pretty comparable to a more recent 255 Fuji in B2, maybe just a tad heftier. I have an older MM that is a bit more substantial than any of these.

Overall, I prefer Myojin's work in terms of the elegance of the hamaguri but the weight of the JNS version is spot on for me, and the grinds are excellent. My 210 has a very Fujiyama profile with the highi-sh heel height.
 
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