brooksie967
No more Ashi
Thanks guys! All stones on this one. Slurry thickness was about cream cheese to get it just right.
Thanks guys! All stones on this one. Slurry thickness was about cream cheese to get it just right.
Yessir, lots of slurry on the suita. It's the only way I can get in all the nooks and crannies with this knife. The knife is oiled in the video too.
That is just lovely @dwalker
What knives are those?
First knife is a T-F 240 white #1 with stainless cladding ( this is the knife I go for when I want to see just how sharp something can be).
Second is a Moritaka petty, AS with iron cladding.
The stone is something unique for me. It does things I didn't think would be possible for me. I will explain in detail when I've had a little more time with it.
I trained a bit on the very hard uchigumori Jizuya Ohira benchstone, HS60, 3,82μm
It is a very difficult stone. It makes the hard parts looks shiny but scratches the soft parts easily.
I believe it could be interessant for very complicated damascus patterns. For kasumi I don't think so..
Here on hazuya
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Here on jizuya
bild upload
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Otto, I'm interested as to why you thought the Chosera 3k horrible for polishing?
I've also tried polishing a wide bevel with it. The functional result was good but it looks a lot better now that a patina has set in. It kinda looked like a multifaceted semi mirror finish (and not in a good way).
I'm not sure if the chosera 3k acts similarly to the 1k but the 1k leaves that random splotchy finish too. The only way I can get an even contrast out of the 1k is to use diamond plate generated slurry and do strokes parallel to the shinogi line.
Otto, I'm interested as to why you thought the Chosera 3k horrible for polishing?
I've also tried polishing a wide bevel with it. The functional result was good but it looks a lot better now that a patina has set in. It kinda looked like a multifaceted semi mirror finish (and not in a good way).
I'm not sure if the chosera 3k acts similarly to the 1k but the 1k leaves that random splotchy finish too. The only way I can get an even contrast out of the 1k is to use diamond plate generated slurry and do strokes parallel to the shinogi line.
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