Thin the blade road, raise the shinogi line a few mm and it will be a superlative cutter. GuaranteedThanks for your funny input.
After sleeping on it, that tip is probably not such a good fit for this denka's profile. Guess I won't be able to turn this into a flatter one while keeping it looking good. So for now I'm abandoning that idea and instead will keep working on the flattening - already looks better imo - and heavy thinning thereafter.
The nice thing about the Toyama type tip, along with the flatter profile, is that the blade is still tall close to the tip so it can rest on my large fingers comfortably, while the steep decline on the tip allows for some - enjoyable - close contact tip work and doesn't get in the line of sight.
But hey, I only got 3 knives, what do I know..
Congratulations on creating a Maboroshi.Yeah am considering my next knife to be from an Austrian maker, but now I'm having fun with thinning. So far only used a 220 to grind the base down. Still a lot of work to do.
View attachment 284234View attachment 284235
You can order direct withoutI'm no TF guy but I thought all Denkas had a finger notch...?
Nowadays yes. Most likely it's NOS. This one is also missing the finger notch and equally thicc and a wedge monster. The geometry and profile has evolved and performance is a little more acceptable ootb.I'm no TF guy but I thought all Denkas had a finger notch...?
A flat profile and no tip that gets in the line of sight? You could turn it into a Nakiri! In any case, we like fun projects here, don’t let anyone stop you. Keep posting pictures of the work. And if you need some inspiration these two threads by the modification king are gold:Thanks for your funny input.
After sleeping on it, that tip is probably not such a good fit for this denka's profile. Guess I won't be able to turn this into a flatter one while keeping it looking good. So for now I'm abandoning that idea and instead will keep working on the flattening - already looks better imo - and heavy thinning thereafter.
The nice thing about the Toyama type tip, along with the flatter profile, is that the blade is still tall close to the tip so it can rest on my large fingers comfortably, while the steep decline on the tip allows for some - enjoyable - close contact tip work and doesn't get in the line of sight.
But hey, I only got 3 knives, what do I know..
Watanabe.If a Denka gets converted to a Toyama, is it still a Mazaki?
Dont.A flat profile and no tip that gets in the line of sight? You could turn it into a Nakiri! In any case, we like fun projects here, don’t let anyone stop you. Keep posting pictures of the work. And if you need some inspiration these two threads by the modification king are gold:
https://www.kitchenknifeforums.com/threads/shig-kasumi-diy.48364/https://www.kitchenknifeforums.com/threads/shigefusa-santoku-re-profile-to-funayuki.45081/
Let him cookDont.
Do.
This.
FYI, I think you have the terms “primary” and “secondary” bevel switched. The secondary bevel is the edge bevel, the one that you sharpen. The primary bevel is the one that begins at the shinogi (on this knife). If you’re really wanting to change the profile (the shape of the cutting edge), a faster way to do it would be to place the actual cutting edge on the stone as if you were trying to cut the stone in half along its length. And maybe wear ear plugs just so you don’t have to hear the knife screaming out in protest@TB_London Thanks. I started with working on the primary bevel, to get a flatter profile, which I think worked, will finish up later with the details. Now I wanted to thin the sides, because I didn't fancy TF's Kurouchi finish and also see by how much I could reduce the weight. So far lost only 3.2 grams. Next I thought, I'm gonna clean those sides up with a 400 Atoma and a 1000 Naniwa Pro sequence, and after that start working on thinning/fixing the secondary bevel, to get a higher and consistent shinogi line, as suggested by @Corradobrit1 . Makes "sense"?
Thanks, got confused. You mean holding it like when cutting, and just going back and forth on the side of a 220? That will destroy secondary and parts of the primary bevel as well, right? Just checkin, sounds scary..FYI, I think you have the terms “primary” and “secondary” bevel switched. The secondary bevel is the edge bevel, the one that you sharpen. The primary bevel is the one that begins at the shinogi (on this knife). If you’re really wanting to change the profile (the shape of the cutting edge), a faster way to do it would be to place the actual cutting edge on the stone as if you were trying to cut the stone in half along its length. And maybe wear ear plugs just so you don’t have to hear the knife screaming out in protest
If you want to get the Shinogi consistent, you need to level out the bevels. It doesn’t seem like you removed a lot of metal. There’s still many high and low spots and it will take a long time to do that. Shapton 220 is good to get a crisp shinogi line, but for thinning I’d go for something coarser such as a suehiro debado 180. And if you grind it well, it can be thinner than a toyama without getting brittle, that’s one of the merits of aogami super.Thanks, got confused. You mean holding it like when cutting, and just going back and forth on the side of a 220? That will destroy secondary and parts of the primary bevel as well, right? Just checkin, sounds scary..
I will keep posting updates, but it may take a while due to other engagements. Plus, yesterday I went out of towels trying to catch the sediments from the Shapton 220 (is it ok to just throw them into the washing machine?) and water needed to lubricant the Atoma. I need a sink bridge to contain this. Got the Suehiro one used by Jon, but it's too short for this sink.
Started working on raising and evening out the the shinogi. Atoma 400 seemed to slow (or it was just because I started working at 90deg because I wnated to keep the vertical scratch pattern) so moved back to the Shapton 220 - now wish I had something more coarse. There is one stubborn spot that resists going up, but I think I'm close to finishing on the left side. Seems impossible to get this straight by hand. Not much to see, but here you go:
View attachment 284412View attachment 284413View attachment 284414
Btw. how much thinner could I grind down the sides before it starts getting brittle you think? Probably would not be able to get this as thin as my Toyama?
Side note: seem to have gotton a metal splinter into the tip of one finger. Didn't realize this could get dangerous.
Got to admire the dedication. SS is the worst to work on. Don't give up. We're rooting for you.Thanks, got confused. You mean holding it like when cutting, and just going back and forth on the side of a 220? That will destroy secondary and parts of the primary bevel as well, right? Just checkin, sounds scary..
I will keep posting updates, but it may take a while due to other engagements. Plus, yesterday I went out of towels trying to catch the sediments from the Shapton 220 (is it ok to just throw them into the washing machine?) and water needed to lubricant the Atoma. I need a sink bridge to contain this. Got the Suehiro one used by Jon, but it's too short for this sink.
Started working on raising and evening out the the shinogi. Atoma 400 seemed to slow (or it was just because I started working at 90deg because I wnated to keep the vertical scratch pattern) so moved back to the Shapton 220 - now wish I had something more coarse. There is one stubborn spot that resists going up, but I think I'm close to finishing on the left side. Seems impossible to get this straight by hand. Not much to see, but here you go:
View attachment 284412View attachment 284413View attachment 284414
Btw. how much thinner could I grind down the sides before it starts getting brittle you think? Probably would not be able to get this as thin as my Toyama?
Side note: seem to have gotton a metal splinter into the tip of one finger. Didn't realize this could get dangerous.
Thank you.If you want to get the Shinogi consistent, you need to level out the bevels. It doesn’t seem like you removed a lot of metal. There’s still many high and low spots and it will take a long time to do that. Shapton 220 is good to get a crisp shinogi line, but for thinning I’d go for something coarser such as a suehiro debado 180. And if you grind it well, it can be thinner than a toyama without getting brittle, that’s one of the merits of aogami super.
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